Revealing the secret hidden in Leonardo da Vinci's masterpiece "Vitruvian Man"

A London dentist has announced a discovery that could solve a five-century-old geometric mystery in Leonardo da Vinci's famous drawing, "Vitruvian Man."

Research results reveal that this iconic image reflects the same design principles found in nature and human anatomy.

Painted around 1490, “The Vitruvian Man” depicts a nude man with his arms and legs spread out in two overlapping positions, set within a square and a circle.

This is an ideal illustration of human body proportions, inspired by the Roman architect Marcus Vitruvius, who believed that bodies had harmonious proportions like perfect temples.

However, Vitruvius did not give a specific mathematical formula for this geometric relationship, and for more than 500 years, how Leonardo achieved the perfect “match” between the square and the circle has remained a mystery.

Many hypotheses, including the Golden Ratio (1.618...), have been proposed but do not match actual measurements.

New research by dentist Rory Mac Sweeney, published in the Journal of Mathematics and the Arts , provides a convincing explanation. Mac Sweeney discovered that Leonardo used a little-noticed detail – an equilateral triangle that he noted in his sketches.

When analyzed, this triangle shows similarities with the “Bonwill triangle” – an oral anatomy concept that describes an imaginary equilateral triangle connecting the two jaw joints and the midpoint of the two lower incisors, which plays a role in optimizing chewing force.

Repeating the equilateral triangle around the navel six times created a hexagonal pattern, allowing Leonardo to achieve a square-to-circle radius ratio of approximately 1.64–1.65.

This number is close to the “optimum ratio” of 1.633, which occurs widely in nature and is considered the most efficient principle of spatial organization – for example, the hexagonal close-packed pattern of a sphere.

Mac Sweeney argues that Leonardo had a clear understanding of the ideal design principles of the human body, far beyond the knowledge of the Renaissance. He states: “Leonardo’s geometry successfully codifies the fundamental spatial relationships of the human body, presenting a striking vision of the mathematical unity of form and natural order.”

In addition to satisfying academic curiosity, this discovery also opens up new practical applications, such as denture design, craniofacial surgery or further research on Renaissance works to find scientific knowledge hidden for hundreds of years./.

(TTXVN/Vietnam+)

Source: https://www.vietnamplus.vn/cong-bo-bi-mat-an-giau-trong-kiet-tac-nguoi-vitruvius-cua-leonardo-da-vinci-post1047725.vnp