As a prominent face in combining tradition and modernity, in many live stages of Em xinh say hi, Phuong My Chi has continuously transformed, leaving an impression not only in music but also in her personal character. The fact that she herself was once in the "danger" group also helped make her journey more attractive.
Unique combination of traditions
Taking advantage of her own strengths, in many performances, the female singer Bong phu hoa has contributed unique performances, not only showing catchy, trendy music but also expressing the richness of traditional Vietnamese cultural features.
Right at livestage 1, she and the beautiful girls Bich Phuong, Tien Tien, Lamoon, Bao Anh brought a performance of Cam Ky Thi Hoa with many interesting folk elements. Inspired by the quartets in folk culture, while Tien Tien was the storyteller, the remaining 4 beautiful girls transformed into 4 girls coming out of the painting as representatives of Cam, Ky, Thi, Hoa.
The poem "Chess, Calligraphy and Painting" has an outro written by Phuong My Chi in the colors of Bac Ninh folk songs.
PHOTO: VO
The performance has a Northern folk melody combined with the vibrant, youthful electronic music. In particular, the outro written by Phuong My Chi has the colors of Bac Ninh Quan Ho. The success of this performance helped the female singer become the team leader, bringing the Clown performance that was especially loved in livestage 2.
Combining traditional opera and modern music, from the "clown" image of this genre, Phuong My Chi, Chi Xe, Phuong Ly, Phao and guest Wean Le have built a memorable and impressive concept. Although the music has trendy elements such as rap and response, catchy and bouncy beats, there are still drops for the two traditional opera performances from the two regions of Phuong My Chi and Phuong Ly.
Clown is a combination of opera and modern music.
PHOTO: VO
In particular, to prepare for this performance, the group consulted with Meritorious Artist Ngoc Khanh and participated in online singing lessons with the Northern Vietnam Tuong Theater to ensure authenticity in singing, pronunciation, breathing and body movements - important factors to preserve the spirit of this traditional art form in a contemporary performance. From there, it can be seen that not only do they simply apply, but the artists are also very careful when adapting traditional elements.
The above 2 songs continuously occupy high positions on YouTube's Top Trending, thereby showing Phuong My Chi's superior quality and approach to the tastes of young audiences. It can be said that the female singer not only understands but also knows how to blend, thereby bringing performances that leave a special impression.
Moorse Code has the colors of many revolutionary songs combined with the Northwest sound.
PHOTO: VO
In Moorse Code - the last group performance and also the last time she took on the role of team captain, she, Phao, Orange and Lamoon also used the familiar lyrics "Hey sisters/Hurry up your hands/Hurry up your feet" from many revolutionary songs combined with the Northwest sound to create a song praising the spirit of solidarity and powerful feminism.
Attract with humor
Besides the above strengths, Phuong My Chi also did not "confine herself" but changed through each round, surprising the audience.
Accordingly, in the final solo round, the female singer brought her humor, energy and joy to Frog at the Bottom of the Well. With a "typical" Western color with a unique way of handling and pronouncing words, using a sample of the children's song Little Frog and traditional instruments, the female singer and DTAP brought a song that expressed her own "childish" personality.
Frog at the bottom of the well is a song that shows Phuong My Chi's unique "childish" personality.
PHOTO: VO
In the accompanying episodes, her humorous personality and interactions with close "beautiful girls" such as Phao, Lamoon, Orange... are also very popular. Tran Thanh also became the "victim" of Phuong My Chi many times in the way she addressed him as "anh", "chu"...
Meanwhile, in the modern pop-rock track I'll be there , she, Orange, Han Sara, and Lamoon wrote an uplifting song that shows that imperfection is also a part of the journey to self-improvement. The pretty girls do not hesitate to share their weaknesses, thereby becoming stronger and more mature.
Phuong My Chi also brought special emotions when recalling the post- The Voice Kid competition period when she felt self-conscious because she did not have enough qualifications and her appearance was not as attractive as other contestants. From there, she showed that with confidence and personal effort, efforts will be rewarded.
Then in Bad Liar , singing with Phao, Lam Bao Ngoc, Saabirose and Liu Grace, the female singer also transformed strongly when performing with a group of outstanding rappers with unique and vibrant songs. With the color of street hip-hop, Phuong My Chi brought for the first time a rare "energy essence" with beautiful choreography.
In Bad Liar , Phuong My Chi brings a rare "energy essence" for the first time with beautiful choreography.
PHOTO: VO
It can be seen that by not being limited and constantly changing, Phuong My Chi, no matter what role she plays, meets the program's criteria as a model of a new generation female idol who is versatile, multi-talented, and constantly changing.
Source: https://thanhnien.vn/quan-quan-em-xinh-say-hi-phuong-my-chi-nhac-nao-cung-can-bai-nao-cung-hot-185250824102255597.htm
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