Wind suppression and evil spirits prevention

In Vietnamese culture, the screen is a very important object for architectural works. It is considered as an object to block the harmful winds or evil spirits and bring luck to the owner. It is also considered as a decoration, a special artistic highlight for interior and exterior spaces. In some cases, the screen is also used to congratulate and praise the owner's position.

In Hue cultural life, Tran Phong is widely used, especially in royal and religious architectural works, both to enhance the beauty of the appearance of the work and to play a role in feng shui. Tran Phong can be walls, rockery or taking advantage of natural terrain such as high mounds, hills, etc. In smaller spaces such as living rooms, Tran Phong can be made of stone, wood or metal.

Front and back of the jade carving

PHOTO: LAM DONG MUSEUM

The feng shui artifacts in the collection of Nguyen Dynasty royal antiques at Lam Dong Museum are decorative objects in the study and to congratulate the king on the occasion of great ceremonies. They are small feng shui objects, made from jade, wood (combined with jade) and silver. Among them, there is a feng shui object made from jade with inconsistent colors. The main colors are opaque white, jade green veins and brown-yellow with two separate parts: the body and the base. The body is made in the form of a thin rectangular slab, meticulously carved on both sides. One side is engraved with a large standing peacock, above and below are two small birds, interspersed with stylized flowers and leaves. One side is embossed with stylized flowers and leaves. The oval base is made from jade of the same material as the body. The front side is engraved with a deer, an old man and a round longevity character. The back side is engraved with the words "Ngo sao son nhuoc ngu thai hien". The body and base are connected by a narrow groove that is concave to form a unified block.

There is a feng shui panel made of wood combined with jade, placed on a wooden stand with 4 legs. The feng shui panel has a square surface, carved with vine patterns. In the middle is a rectangular jade plate with cut corners, opaque white, carved with decorative patterns of 4 bats, a jade gong, a jade vase, two moon characters between the longevity characters and the return text. This is one of the feng shui panels used to wish the king or members of the royal family a long life on the occasion of a grand ceremony.

The wind tower is made from wood combined with jade, meticulously and delicately carved.

PHOTO: LAM DONG MUSEUM

T RAN PHONG WISHES FOR THE LONGEVITY OF KING BAO DAI

In particular, the town-feng shui is made of thin silver, in the shape of a stele, with embossed pillars on both sides, embossed with dragon and cloud patterns, on the top of the right pillar is a sword hilt (symbolizing strength), on the left is a pen (symbolizing wisdom). On top of the town-feng shui is an embossed bow-shaped image of two dragons facing the sun (two symmetrical dragons). The sun symbol is round and red. The front of the town-feng shui is a vertical rectangle, with a background of "van" brocade patterns, surrounded by a T-shaped border. On the face of the town-feng shui are 5 lines of embossed Chinese characters, in the middle is a large silver line covered in gold "Van Tho Tu Tuan Dai Khanh". Below the town-feng shui is a bell-shaped image, embossed with a dragon's head on the front, the base is a rectangular block with 3 levels.

Silver seal "Long live the 40th anniversary"

PHOTO: LAM DONG MUSEUM

This plaque was created by the Ministry of Public Works to celebrate King Bao Dai's 40th birthday. This is one of the few artifacts whose age can be absolutely determined through the inscription on the surface (September 23, Nham Thin year, i.e. November 10, 1952) and is one of the artifacts that was made quite late, the time of making coincided with the time when King Bao Dai was in Da Lat under the "Hoang Trieu Cuong Tho" regime. This plaque is not in the group of artifacts that were brought from Hue capital to Da Lat before and were displayed in a large room in Palace III - Da Lat, from 1950 to 1955.

The plaques at Lam Dong Museum are valuable artifacts, not only representing a part of the material and spiritual life of the Nguyen Dynasty royal palace but also expressing the concept and philosophy of life of the ancient Vietnamese people. At the same time, they also demonstrate the pinnacle of aesthetic and technical skills of craftsmen in the "Royal Workshops" of the Nguyen Dynasty.

Source: https://thanhnien.vn/co-vat-trieu-nguyen-o-xu-suong-mu-tran-phong-ngan-ta-khi-18525012221315906.htm